Had no expectations when I rolled into this Port town half way on my way to Scotland but I was thrilled to find a city that was small enough to be walked all over and beautiful enough to be really explored.
My accommodations at the Arena House were a fantastic deal at 15 £ a night for a private room with the TV! From there the first thing I did was walk to Matthew Street, an absolute jungle of pubs and live music venues . I went into the Uber-touristy— jammed with people from all over England as well as some from the US and France—Cavern Club where, from 11 am daily, a succession of guitarists led the crowd in shouting out Beatles tunes in ecstatic glee. “Hey Jude” “Love love me do“, “Here Comes the Sun”! And for six hours we did love each other, dance together, hugged and sang sang sang. I met Dorothy and Mark, madly in love, from Somerset, Michael Lynch, a comedian from Scotland who’ll be performing at the Edinburgh Fringe, Paul and Charlotte from York, and Sheena and Pat from Wales who rescued me from the flirtations another Mark, a somewhat toasted handsome Physics teacher and widower from Liverpool.
The Cavern Club really is a mire of low ceilinged brick tunnels way down a spiral stair to an underground labyrinth where illegal whiskey was once brewed. Its walls and ceilings are covered with signatures and pictures of famous musicians who’d played there like Chuck Berry, Little Richard, The Who and of course the Beatles.
I returned a couple nights later and Mark and Dorothy were there and greeted me like best friends Singing here and at Rubber Soul, another pub, to live good singer-guitarists was a total joy and free to boot.
During the day I am immersed myself in culture. Explored the Slavery Museum with its really an incredible collection of Nigerian art and artifacts that revealed how highly cultured and developed the slaves brought through Liverpool were. Sadly this was the center of the slave trade and that story was told with great sensitivity. I took in the hundred or more works of Keith Haring at the Tate and then was most moved by “John and Yoko” at the Museum of Liverpool—immersive with photos, videos, letters, a replica of their Bed-in” for peace—and best of all, a karaoke sound booth where anyone and certainly me could sing “All we are saying is Give peace a chance” and Imagine”—amplified like a star😀😀
The weather was a perfect 70° and sunny making the beautiful harbor and the old brick piers as well as the three story Victorian homes throughout Liverpool look amazingly inviting. The city is a maze of roads mostly only for pedestrians—and you can walk for miles on the waterfront of the Mersey River in which I sailed on a “Dazzle” boat painted all over like a Peter Max cartoon—actually a way WW1 boats were camouflaged.
Spent a day at Speke Hall a wood framed wattle and daub manor house built in 1530 and used to protect Catholic priests when the Crown wanted them all assassinated. It was filled with heavy dark furniture, stuffed game and bronze sculptures in vitrines and a massive kitchen filled with pots and copper pans, butter churns, spatulas and spoons, crock pots and blue patterned crockery all arrayed beautifully on shelves. The Hall was surrounded by rambling gardens and lovely ordered and walked vegetable and flowers gardens.
I also took a train up to the Lake Country and saw Beatrix Potters home and garden. It was an intimate cozy home filled with her treasures and her drawings of dear little Peter Rabbit. Among the many flowers on the path leading to her home were tiny bronze hedgehogs set out with phrases to give Joy to children visiting. The tour included a sail on a lake and rides through steep wooded hills—so very lovely.
Back in Liverpool I got on a Hop On Hop Off bus and surprisingly found myself exploring the Anglican Cathedral in great depth being shepherded around by Terry keen to show me every nook and cranny of this 19th century but Gothic style cathedral that was really a gift from Lord Derby because he donated money for the land it’s built on. Its glory really is the Mary Chspel with its chandeliers and beautiful beautiful Stained -glass windows. I took a tour of aNstional Trust property—a photographers home as well so I could see all the accoutrements of a middle class 1950s family
Liverpool reminds me rather of Chicago both are unheralded really delightful places to visit
The people I met and partied with made Cornwall ever more lovely. I stayed at the Blue Dolphin Hostel in Penzance run by a super friendly surfer Matt. He spent daily time with all of us helping with all sorts of information but just chilling with. Amazingly it was at this backpackers hostel (£19/night) that I met a long travelling (two years) San Franciscan, Bland Cannon, and we hit it off immediately spending much of the next ten days together–we even got tattoos at the same time–his, a Celtic spiral and mine, the Golowan Festival logo–arm-linked dancers around St Michael’s Mount, the ancient beautiful castle we visited together in the rain.
Best part of my Cornwall visit was the GOLOWAN FESTIVAL, a 10 day long fest full of live music –Celtic, folk, rock, New Orleans jazz, even hard punk–in the streets, the pubs, the theaters all over Penzance. People costumes in wild colors and every man woman and child wore flower crowns in their hair–really!! Even spike red-headed totally tattooed Bland. Indeed having tattoos all over the body is typical of all ages here.
The main events started with a completely silly Mock Mayor’s Contest. A buck-toothed, powdered wigged and crimson robed elder presided with incomprehensible garble; then he and his rubber baseball bat-bearing courtiers brought and and often pummelled offstage a crazy series of contestants, There was a chunky pseudo Greek Senator trying to speak sense to an absolute rabble of a crowd swilling beer and hollering boos and throwing biscquits. A wizened old fisherman, beard to his waist, wearing rags babbled that he had nothing to offer us in the eway of leadership. A girl in a demure milkmaid’s dress blessed us all then took off her outerlayer to reveal a hoop skirted dress covered in buttons. She received a bundle of yays but at last lost to a paired of Wall Street suited seagulls throwing French fries out to the crowd.
Golowan culminated on Mazey Day with every street filled with partying people, pop-up clothing, balloons and henna shops, and food stalls filled with shortbread, cakes and Cornish pasties. Best of all was FIVE separate parades going from 11 on, up and down the main street of town, each having brass bands or rock bands marching them along. The first was the dignitaries and posh of the town–the real tux and tails mayor with his black velvet hooped skirt lady and a funny tartanned old Leprecaun were joined by the seagulls and followed by lots of well dressed couples with chunky bronze necklaces, as tacky as Trump would wear. Then three parades followed, filling the day with ~green~ floats and banners, fish and bees, butterflies and birds on sticks and made of recycled plastic bottles, used umbrellas, and hand-glued papier mache. There were huge bees, a crepe papered gorilla, a forest of trees and a great whale whose stomach was filled with trash carried aloft . What was so cool was the parades were filled with children and families and all the costumes and props were home made.
The last parade–Men and Maids– was led by a brilliant Celtic band and a strange and wonderful horse character on stilts, covered in black rags, dancing over the cobble stone streets and sporting a big horse skull that clacked in time to the music. This band led a Serpent Dance all over town and hundreds of people danced around and after them, snaking among each other laughing and loving the day. I danced too and downed some Cornish ale for ten hours–a whale of a day to remember!!
A most magical peninsula extending out of the farthest southwest of England, Cornwall is a land of rolling emerald green and tawny wheat fields bursting with kale, and courgettes, carrots, tomatoes and waving acres of grain, each field separated by quite untamed hedgerows–stone and earthen boundary mounds that are overgrown with Queen Anne’s lace, dandelions, morning glories, blackberries and puff ball conifers. Single tract serpentine roads, complete with careening double decker buses, thread through the farmlands out to the rocky outcrop at Land’s End where granite cliffs meet the Atlantic and where winds reach 60-80 mph.
A mile north is Sennen with its Caribbean colored sea rolling into a lovely white sand surfer/swimming beach and where you can climb up a proper hill to have the best view of Land’s End, far from the retail circus that crawls all over that site.
The countryside finds villages of stone row houses nestled among the farms.
Beauty abounds as well in the many gardens that grace cities like Penzance and St Ives– the National Trust has preserved a 25 acre estate grounds filled with meandering forest walks full of 20′ high rhodedendrons and majestic oaks and hydrangea and streamside gardens with every color imaginable–magenta foxglove, white daisies, bluebells, all with grazing butterflies and bees, birds singing in the sweet air.
My favorite garden full of a jungle of exotics and many of her sculptures surrounds Barbara Hepworth’s studio/home in St Ives. From a 20′ high geometric bronze to lovingly carved organic wooden pieces, their interior concavities brushed with gold leaf, Hepworth imitated, in elegant abstract form, the ocean beaten shapes of the Cornwall coast and the enigmatic piercings of ancient menhirs (Neolithic stone monuments) and the stone circles found all over the county–in fact Cornwall has the most Neolithic sites in all of Britain.
There’s art here as well. Tate St Ives had a show of sensual paintings and drawings by the Lebanese artist Huguette Caland. And for most of one sunny day I participated in a performance piece: “Another Hurling of the Silver Ball” wherein hundreds of townsfolk gambolled in procession from the highest point in St Ives, through a skate park and into a soccer field where tribes of young uniformed school boys bumped the 10′ high ball back and forth between goals, often being knocked over amidst gales of laughter. We all then followed the ball into another park where a formally costumed Celtic band played for a dance around and around the ball. The ball ended up suspended above the Tate rotunda with its artist playing an obscure digital sound piece created by beating on the ball .